000 02277cam a2200301 i 4500
008 140323b2013 xxu||||| |||| 00| 0 eng d
020 _a9781107051867
082 0 0 _a891.1
_bM3P3
100 1 _aMenon, Jisha
_9268294
245 1 4 _aThe performance of nationalism: India, Pakistan, and the memory of partition
_cMenon, Jisha
260 _aCambridge
_bCambridge University Press
_c2013
300 _axii, 260 p.
365 _aINR
_b795.00
440 _aCambridge Studies in Modern Theatre
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520 _aImagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of 'mimesis' as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgangers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics.
650 0 _aIndic drama - 20th century - History and criticism
650 0 _aNationalism in literature
650 0 _aPartition, Territorial, in literature
650 0 _aMotion pictures, Indic
650 0 _aNationalism in motion pictures
650 7 _aDrama - English, Irish, Scottish, Welsh
651 0 _aIndia - History - Partition, 1947 - Influence
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651 0 _aIndia - In literature
_9268303
651 0 _aPakistan - In literature
_9268304
651 0 _aIndia - In motion pictures
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651 0 _aPakistan - In motion pictures
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942 _cBK
999 _c379137
_d379137