MARC details
000 -LEADER |
fixed length control field |
05056aam a2200205 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
191104b 2016 ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501339547 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
306.1 |
Item number |
S3 |
245 ## - TITLE STATEMENT |
Title |
Seeing fans: representations of fandom in media and popular culture |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Name of publisher, distributor, etc. |
Bloomsbury Academic |
Date of publication, distribution, etc. |
2016 |
Place of publication, distribution, etc. |
New York |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xv, 308 p. |
Other physical details |
It includes bibliography and index |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Table of Contents<br/><br/>Foreword by Orlando Jones<br/>Introduction<br/>Documenting Fans: Shades of Reality<br/>1. Mark Duffett, “Beyond Exploitation Cinema: Music Fandom, Disability and Mission to Lars”<br/>2. Rebecca Williams, “'We Live Round Here Too': Representing Fandom and Local Celebrity in Pulp: A Film About Life, Death & Supermarkets”<br/>3. Sam Ford, “'I Was Stabbed 21 Times by Crazy Fans': Pro Wrestling and Popular Concerns with Immersive Story Worlds”<br/>4. Interview with Roger Nygard, director of Trekkies (1997)<br/>Spotlight on: Crazy about One Direction<br/>5. Bethan Jones, “'I Will Throw You off Your Ship and You Will Drown and Die': Death Threats, Intra-Fandom Hate and the Performance of Fangirling”<br/>6. William Proctor, “A New Breed of Fan?: Regimes of Truth, One Directions Fans and Representations of Enfreakment”<br/>7. Daisy Asquith (director of Crazy About One Direction), “Crazy About One Direction: Whose Shame Is It Anyway?”<br/>Fictional Fans: Reading Between the Lines<br/>8. Interview with Robert Burnett, writer and director of Free Enterprise (1998)<br/>9. Lincoln Geraghty, “Fans on Primetime: Representations of Fandom in Mainstream American Network Television, 1986-2014”<br/>10. Karen Hellekson, “The Image of the Fan in Stargate SG-1”<br/>11. Melissa Click & Nettie Brock, “Marking the Line Between Producers and Fans: Representations of Fannish-ness in and around Doctor Who and Sherlock”<br/>12. Ellen Kirkpatrick, “Hero-Fans and Fanboy Auteurs: Reflections and Realities of Superhero Fans”<br/>13. Katherine Larsen and Lynn Zubernis, “We See You (Sort of): Representations of Fans on Supernatural”<br/>14. Interview with Emily Perkins, actor in Supernatural<br/>Spotlight on: Fan and Transmedia Works<br/>15. Kristina Busse, “Beyond Mary Sue: Fan Representation and the Complex Negotiation of Gendered Identity”<br/>16. Louisa Stein, “The Digital Literary Fangirl Network: Representing Fannishness in the Transmedia Web Series”<br/>17. Interview with Luminosity, fan and vidder<br/>Cultural Perspectives on Fan Representations<br/>18. Mel Stanfill, “The Fandom Menace: Representing Failed Heteronormativity, the Redemption Narrative, and Whiteness”<br/>19. Ruth A Deller, “Outdoor Queuing, Knicker-Throwing and 100th Birthday Greetings: Newspaper Narratives of Mature Female Fans”<br/>20. Rukmini Pande, “Squee from the Margins: Racial/Cultural/Ethnic Identity in Global Media Fandom”<br/>21. Interview with Laurent Malaquais, director of Bronies (2012)<br/>Global Perspectives on Fandom<br/>22. Darlene Hampton, “Slashy Rotten Pervs: Transcultural Representation of Sherlock Slash Fans and the Politics of Pathologization”<br/>23. Lori Hitchcock Morimoto, “The Good Fandom: Depicting Japanese Female Fans in Moonlight Express, Moumantai, and Hong Kong Star Fans”<br/>24. Nicolle Lamerichs, “Otaku: Representations of Fandom in Japanese Popular Culture”<br/>25. Interview with Jeanie Finlay, director of Sound It Out (2011)<br/>Conclusion<br/>Afterword. Matt Hills, Participating in Hybrid Media Logics? |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Split into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews with Emily Perkins of Supernatural, Robert Burnett, director of the film Free Enterprise, and Luminosity, a fan who has been interviewed in the New York Magazine for her exemplary work in fandom. Section three explores cultural perspectives on fan representations, and includes an interview with Laurent Malaquais, director of Bronies: The Extremely Unexpected Adult Fans of My Little Pony. Lastly, the final section looks at global perspectives on the ways fans have been represented and finishes with an interview with Jeanie Finlay, director of the music documentary Sound it Out. The collection then closes with an afterword by fan studies scholar Professor Matt Hills.<br/><br/>https://www.bloomsbury.com/uk/seeing-fans-9781501318450/ |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Media studies |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Social science |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Fans in mass media |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Bennett, Lucy |
Relator term |
Editor |
9 (RLIN) |
387471 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Booth, Paul |
Relator term |
Editor |
9 (RLIN) |
387472 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book |