Seeing fans: representations of fandom in media and popular culture (Record no. 398171)

MARC details
000 -LEADER
fixed length control field 05056aam a2200205 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 191104b 2016 ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781501339547
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 306.1
Item number S3
245 ## - TITLE STATEMENT
Title Seeing fans: representations of fandom in media and popular culture
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Bloomsbury Academic
Date of publication, distribution, etc. 2016
Place of publication, distribution, etc. New York
300 ## - PHYSICAL DESCRIPTION
Extent xv, 308 p.
Other physical details It includes bibliography and index
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Table of Contents<br/><br/>Foreword by Orlando Jones<br/>Introduction<br/>Documenting Fans: Shades of Reality<br/>1. Mark Duffett, “Beyond Exploitation Cinema: Music Fandom, Disability and Mission to Lars”<br/>2. Rebecca Williams, “'We Live Round Here Too': Representing Fandom and Local Celebrity in Pulp: A Film About Life, Death & Supermarkets”<br/>3. Sam Ford, “'I Was Stabbed 21 Times by Crazy Fans': Pro Wrestling and Popular Concerns with Immersive Story Worlds”<br/>4. Interview with Roger Nygard, director of Trekkies (1997)<br/>Spotlight on: Crazy about One Direction<br/>5. Bethan Jones, “'I Will Throw You off Your Ship and You Will Drown and Die': Death Threats, Intra-Fandom Hate and the Performance of Fangirling”<br/>6. William Proctor, “A New Breed of Fan?: Regimes of Truth, One Directions Fans and Representations of Enfreakment”<br/>7. Daisy Asquith (director of Crazy About One Direction), “Crazy About One Direction: Whose Shame Is It Anyway?”<br/>Fictional Fans: Reading Between the Lines<br/>8. Interview with Robert Burnett, writer and director of Free Enterprise (1998)<br/>9. Lincoln Geraghty, “Fans on Primetime: Representations of Fandom in Mainstream American Network Television, 1986-2014”<br/>10. Karen Hellekson, “The Image of the Fan in Stargate SG-1”<br/>11. Melissa Click & Nettie Brock, “Marking the Line Between Producers and Fans: Representations of Fannish-ness in and around Doctor Who and Sherlock”<br/>12. Ellen Kirkpatrick, “Hero-Fans and Fanboy Auteurs: Reflections and Realities of Superhero Fans”<br/>13. Katherine Larsen and Lynn Zubernis, “We See You (Sort of): Representations of Fans on Supernatural”<br/>14. Interview with Emily Perkins, actor in Supernatural<br/>Spotlight on: Fan and Transmedia Works<br/>15. Kristina Busse, “Beyond Mary Sue: Fan Representation and the Complex Negotiation of Gendered Identity”<br/>16. Louisa Stein, “The Digital Literary Fangirl Network: Representing Fannishness in the Transmedia Web Series”<br/>17. Interview with Luminosity, fan and vidder<br/>Cultural Perspectives on Fan Representations<br/>18. Mel Stanfill, “The Fandom Menace: Representing Failed Heteronormativity, the Redemption Narrative, and Whiteness”<br/>19. Ruth A Deller, “Outdoor Queuing, Knicker-Throwing and 100th Birthday Greetings: Newspaper Narratives of Mature Female Fans”<br/>20. Rukmini Pande, “Squee from the Margins: Racial/Cultural/Ethnic Identity in Global Media Fandom”<br/>21. Interview with Laurent Malaquais, director of Bronies (2012)<br/>Global Perspectives on Fandom<br/>22. Darlene Hampton, “Slashy Rotten Pervs: Transcultural Representation of Sherlock Slash Fans and the Politics of Pathologization”<br/>23. Lori Hitchcock Morimoto, “The Good Fandom: Depicting Japanese Female Fans in Moonlight Express, Moumantai, and Hong Kong Star Fans”<br/>24. Nicolle Lamerichs, “Otaku: Representations of Fandom in Japanese Popular Culture”<br/>25. Interview with Jeanie Finlay, director of Sound It Out (2011)<br/>Conclusion<br/>Afterword. Matt Hills, Participating in Hybrid Media Logics?
520 ## - SUMMARY, ETC.
Summary, etc. Split into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews with Emily Perkins of Supernatural, Robert Burnett, director of the film Free Enterprise, and Luminosity, a fan who has been interviewed in the New York Magazine for her exemplary work in fandom. Section three explores cultural perspectives on fan representations, and includes an interview with Laurent Malaquais, director of Bronies: The Extremely Unexpected Adult Fans of My Little Pony. Lastly, the final section looks at global perspectives on the ways fans have been represented and finishes with an interview with Jeanie Finlay, director of the music documentary Sound it Out. The collection then closes with an afterword by fan studies scholar Professor Matt Hills.<br/><br/>https://www.bloomsbury.com/uk/seeing-fans-9781501318450/
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Media studies
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Social science
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fans in mass media
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Bennett, Lucy
Relator term Editor
9 (RLIN) 387471
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Booth, Paul
Relator term Editor
9 (RLIN) 387472
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification     Non-fiction Ahmedabad Ahmedabad General Stacks 28/10/2019 12 2.00   306.1 S3 200436 28/10/2019 2672.88 28/10/2019 Book

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