Haunting bollywood: gender, genre and the supernatural in hindi commercial cinema
Material type: TextPublication details: Orient BlackSwan 2017 HyderabadDescription: xi, 251p. With indexISBN:- 9789386392794
- 791.4360954 S3H2
Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds | |
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Book | Ahmedabad General Stacks | Non-fiction | 791.4360954 S3H2 (Browse shelf(Opens below)) | Available | 198676 |
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791.430973 L2B8 The business of film: a practical introduction | 791.432 A5F6 Four films of Woody Allen | 791.435 S8I6 Industrial and business films: a modern means of communication | 791.4360954 S3H2 Haunting bollywood: gender, genre and the supernatural in hindi commercial cinema | 791.43611 O8 Other cinemas: politics, culture and experimental film in the 1970s | 791.436522 H6F4 Film feminisms: a global introduction | 791.43653 F2E8 Ethics goes to the movies: an introduction to moral philosophy |
Table of Contents
Chapter One. Haunted Havelis and Hapless Heroes: Gender, Genre, and the Hindi Gothic Film
Chapter Two. The Ramsay Rampage: Horror as Emergency Cinema
Chapter Three. Ravishing Reptiles: Magic, Masala, and the Hindi “Snake Film”
Chapter Four. Present Imperfect: Bollywood and the Ghosts of Neoliberalism
Chapter Five. The Planetary Paranormal: Millennial Mythos and the Disassembly of the “Hindi Film”
Hindi commercial cinema has been invested in the supernatural since its earliest days. However, only a small segment of these films has been adequately explored in scholarly work. Haunting Bollywood addresses this gap. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen explores what the supernatural is and the questions it raises about film form, history, modernity, and gender in South Asian public cultures. Contrary to the widely held belief that these are uniquely “local” forms, she shows that the supernatural is dispersed among multiple genres and is constantly in conversation with global cinematic conventions; simultaneously, the supernatural is an especially flexible impulse that pushes Hindi films into new formal and stylistic territories.Sen also argues that gender is a particularly accommodating arena in which the supernatural plays out its most basic compulsions; thus, the interface between gender and genre provides a productive lens into Hindi cinema’s negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural’s unruly energies continually resist being contained, even as they engage with and sometimes subvert Hindi cinema’s most enduring pleasures, from songs and stars, to myth and melodrama.Haunting Bollywood will be of interest to scholars and students of literary criticism, postcolonial studies, queer theory, history, and cultural studies.
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