History on film/film on history
Material type: TextSeries: History: concepts, theories and practicePublication details: Routledge 2018 LondonEdition: 3rdDescription: xxiii, 175 pISBN:- 9781138653337
- 791.43658 R6H4
Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds | |
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Book | Ahmedabad General Stacks | Non-fiction | 791.43658 R6H4 (Browse shelf(Opens below)) | Available | 199611 |
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791.43653 F2E8 Ethics goes to the movies: an introduction to moral philosophy | 791.43653 S4M6 Morality and the movies: reading ethics through film | 791.436538 P8V4 Violence and the pornographic imaginary: the politics of sex, gender and aggression in hardcore pornography | 791.43658 R6H4 History on film/film on history | 791.43684 S4M6 Movies with meaning: existentialism through film | 791.437 R6A2 Accessible filmmaking: integrating translation and accessibility into the filmmaking process | 791.4372 F5L4 Live and let die |
Table of Contents
List of illustrations
Preface to the series
Introduction to the third edition
Introduction to the second edition
Acknowledgements
Chapter 1 History on film
Chapter 2 To see the past
Chapter 3 Mainstream drama
Chapter 4 Innovative drama
Chapter 5 Documentary
Chapter 6 Telling lives
Chapter 7 Film-maker/Historian
Chapter 8 Engaging the discourse
Chapter 9 Film on history
Epilogue The View from 2017
Guide to key reading
Bibliography
Index
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the third edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new introduction, a revised final chapter, a new epilogue that discusses recent history films such as Selma and The Imitation Game, and an extensive and updated guide to further reading. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
https://www.routledge.com/History-on-Film-Film-on-History-3rd-Edition/Rosenstone/p/book/9781138653337
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