Silent cinema and the politics of space / edited by Jennifer M. Bean, Anupama Kapse, and Laura Horak.

Contributor(s):

Material type: Text

TextPublication details: Bloomington : Indiana University Press, 2014.Description: x, 346p. ; 23cmISBN:

9789386552679

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DDC classification:

791.4309 BEA 22

Summary: In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forcesଓgeographic, economic, political, psychological, textual and experientialଓthat underscore a non-linear approach to film history. The 'messiness' of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social and aesthetic crossings of silent cinema.

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Item type	Current library	Call number	Status	Date due	Barcode	Item holds
Book	Calcutta	791.4309 BEA (Browse shelf(Opens below))	Available		IIMC-0146478

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Previous	791.43028092 POW Pierre Batcheff and stardom in 1920s French cinema	791.4303 HAY Cinema studies :	791.4309 BAL Independent filmmaking around the globe/	791.4309 BEA Silent cinema and the politics of space /	791.4309 BEN Bond and beyond :	791.4309 CAR World directors and their films	791.4309 KUP The History of cinema for beginners /	Next

In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forcesଓgeographic, economic, political, psychological, textual and experientialଓthat underscore a non-linear approach to film history. The 'messiness' of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social and aesthetic crossings of silent cinema.

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